Rs 300 eq-plus

61 SAP No. Canton City Postal code CH Street Parcel identification Landregister District Landregister SAP Nr. Kanton Stadt PLZ Strasse Parzellennummer Grundbuchkreis Grundbuchamt Arrondissement du Littoral et du Val de NE St Blaise 2072 ES Fourmillères 4180 Travers Neuchâtel, Saint Blaise VS Niedergesteln 3942 Hanuwäg 3, Oberdorfstrasse , STWE 263/1 Leuk ZH Affoltern am Albis 8910 Breitenstrasse 2749 Affoltern SO Balsthal 4710 Holderacker (6 610 m2) 3799 Thal Gäu, Balsthal AG Leibstadt 5325 Furlänge 115, 444, 995 Zurzach, Leibstadt TI Giornico 6745 Via piazza Fontana 7 765, 766, 768 Distretto di Leventina Faido, Giornico VD Le Sentier 1347 Grand Rue 17 STWE VS Fiesch 3984 Furkastrasse STWE 1419/3 Kreis Brig Brig TI Ponte Tresa 6988 Jura Nord Vaudois, Le Chenit Via Privata Monte Oliveto 4 389, 6308 Lugano, Ponte Tresa VS Bourg St Pierre 1946 Raveire 5049, Parcelle 903 Martigny TI Sobrio 6749 Zona villa Sobrio 371 Distretto di Leventina Faido, Sobrio FR Fribourg 1700 Beaumont La Sarine, Fribourg JU Montavon 2857 Route Principale 113 A 377 et 389 Delémont, Boécourt VS Savièse 1965 Diolly Golette 9241 Sion VS Monthey 1870 AUX SEMILLES, PARC Monthey 2 61/392

Probably the most remembered " Jubilee " or " Anniversary " series.

Yamaha spared no expense for the Centennial Series and could do so : this was before the 1987 crash and subsequent 1990s gradual retreat of all japanese brands toward the mid-end and low-end segments of the market.

The CX-10000 is a monster, a real monster with everything tripled - the chassis, the IC s, the possibilities, the VCAs and... the rarity.
The CX was highly reviewed in Japan back then, with a dedicated " Exciting Component " section in Stereo Sound. In other words : top of the pops and crème de la crème.
At least very exciting because DSP was a novelty.

Sound-processing-wise, the CX-10000 is divided in two : a digital parametric EQ plus associated side functions and a Digital Sound Field Processor ; both parts have their own D/A converters: Hi-Bit Yamaha for the DSP and Burr-Brown PCM-56P for the EQ part.

The other IC s used are exclusively Yamaha's :
3x YM3818 for DSP
3x YM3619 for 4fs digital filter (225th + 41st FIR)
1x YM3623 for digital i/o
2x YM3608 for DEQ, low/high filters & slopes
3x YM3901C for 16bit/48 Khz a/d
2x YM3020 for 16bit/48 Khz a/d
1x YM3615 for 18bit FS/H d/a
1x YM3023 for 18bit FS/H d/a.

The 3-band parametric EQ handles 4-step Q (0,7 / 1,4 / 3 / 6) while continuously variable low and high filters can see their slopes set at 6 , 12 or 18dB/octave . All this per channel, of course !

D/A is arranged according to Yamaha's Hi-Bit fashion. Output opamps are JRC 5532D .
Two transformers for the left and right analog channels and a third one for all things digital ; the six boxes (à la Accuphase or Sony TA-ER1 ) hold the VCA and LPF/HPF boards while the one at the bottom of the main board shields the A/D section.

The bottom plate is made of 5 mm thick steel ; gold-plated terminals ( 53 in toto !) are present. No S-Video plugs, though - this is 1987 !

Another touch to note is the balance ring which is exactly like that of Yamaha's 1st CD player :)

Made to feed the MX-10000 Hyperbolic Conversion Class A powerhouse.

Rs 300 eq-plus

rs 300 eq-plus


rs 300 eq-plusrs 300 eq-plusrs 300 eq-plusrs 300 eq-plusrs 300 eq-plus